Review from the cool zine God Is In The TV for Deborah Harry
Unlike Madonna, Debbie Harry still has life pumping through her veins. Her first solo outing for fourteen years, “Necessary Evil” is a strategic tour de force, incorporating elements of almost of her musical excursions, while keeping the style relatively close to the band that propelled her to superstardom, Blondie.
While this is only a five track sampler, it’s certainly obvious that “Necessary Evil” is a veritable platter of influences, with each track taking a different approach musically, yet all remain stamped with her idiosyncratic vocal stylings. As the album progresses, the songs become more experimental, with “Charm Alarm” and the obscurely delivered “Whiteout” being the most abstract, with a Kate Nash, or even Lilly Allen brat-like nuance. However, each chorus the album offers is jam packed with the anthemic guitars, straight ahead drums, and elegant cool that graced the best of Blondie’s material.
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